- The Associated Press, from 2 hours ago.
- The NY Times, talking about firms that use rights to art as collateral.
- The NY Times: this article is about 6 weeks old, but it's the best description of what's going on that I've found.
How does a photographer get that far "in the hole?" That last article states the following:
Over the years at Vanity Fair, her shoots became more complex and expensive, often elaborate as movie shoots. “Month after month, it got a little bit more complicated with every shoot,” Jane Sarkin, a Vanity Fair features editor, said in the documentary. “Her demands became bigger. Fire, rain, cars airplanes, circus animals — whatever she wanted she got.”
But STILL! This boggles my mind. Good luck, Annie!
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