Crop Art at the 2025 Minnesota State Fair

My son and I were in the horticulture building before it was open on the opening day of the Minnesota State Fair last Thursday. I was entering cherry tomatoes (I ended up earning a 3rd place ribbon!), and the drop off was 6:30 a.m. through 9 a.m. when the building itself didn’t open to the public until after that.

So we had the opportunity to do something amazing: look at the “crop art” with NO ONE else around! Usually that room has a huge line, and it’s packed with viewers during normal fair hours! Here are a few pics:

[click each image to enlarge]

My son and about 1/3 of the crop art, before all the building lights were even turned on.

I had a good time explaining some of the “art puns” that were being made with some of the crop art. For example: here we see “Girl with a Pearl Earning” portrayed as a squirrel, as well as “The Son of Man” shown with a corn dog instead of an apple:

"American Gothic" with the 2 MN State Fair mascots, Fairchild and Fairborne.


"Saturn Devouring His Son" but with a corn cob.


Another version of "The Son of Man"


"The Birth of Venus."


"Migrant Mother" - one of the most famous photographs of all time!


"This is not a corn dog" which is a take on "The Treachery of Images,"
and you can see it won an award from the Minneapolis Institue of Arts!

Kodak in Trouble?

In a report that went out on Monday, Kodak noted that their gross profit fell about 12%, or $7 million, declining from $58 million in the second quarter of 2024 to $51 million in the second quarter of 2025, and that it had upcoming debt obligations that need to be fulfilled within the next year. There were concerns that Kodak would disappear.

Kodak pushed back, releasing a statement that they have no plans to cease operations.

One of the photo-based Facebook groups I'm a part of shared this tongue-in-cheek post:

Ha! But seriously, we'll all be watching what happens with Kodak...

A Roll of Holga Film from Hawaii

We got back from a trip to Hawaii earlier this month, and I brought my Holga along. I just shot 1 roll, and here are a handful of photos from it.

[click each image for a larger version]

A waterfall on Road to Hana.


Black Beach.


Hamoa Beach.


As the sun was about to rise on the top of Haleakala Volcano (above the clouds!).


On a hike above the clouds on Haleakala an hour later.

I may have some shots from 2 rolls of 35mm to share shortly as well.

Photography: Literary?

Photography seems to be the most literary of the graphic arts.

- Walker Evans

'Dorothea Lange: A Life Beyond Limits'

I started reading this biography on a trip this past winter:

I saved a few quotes from it. Here are 2 from the introduction that I particularly like:

Most of Lange's photography was optimistic, even utopian, not despite but precisely through its frequent depictions of sadness and deprivation. By showing her subjects as worthier than their conditions, she called attention to the incompleteness of American democracy. And by showing her subjects as worthier than their conditions, she simultaneously asserted that greater democracy was possible.

And here's a bit about "documetary" photography and representation:

The camera's capacity to replicate what the eye can see made it appear, originally, to be the ultimate documentary tool. It seemed to be a machine for exact replication, its products machine-made, until the myriad means of constructing photographs were widely understood. Invented just as art steered toward expressing a subjective vision, an individual inner consciousness, the camera seemed limited to representing that which is visible to the naked eye. Honoré Daumier said that "photography described everything and explained nothing." Photographers engaged in some self-delusion along these lines; Walker Evans called documentary "a stark record ... [of] actuality untouched." Lange did not fuss about exact representation in her photography. Her experience as a portrait photographer left her at ease in retouching an errant hand or shadow, in asking her subjects to move to a different spot or position. Like an historian, she wanted her photographs to emphasize what she saw as the main point and to prevent her viewers from being distracted by details. In her portrait studio she wanted to reveal the inner, not the outer, life and character of her subjects, and she continued the search for hidden truths in her documentary work.

Insta-Worthy Medium Format Shots

I explained what was happening in my last blog post in a recent social media post:

Last month, I did a medium format film / camera demo in my Photo II / Advanced Photo class. I sighed and mentioned a “trend” of not actually shooting with the camera, but instead pointing the camera at your subject and then getting a photo of the ground glass with your phone. After the demo, many students made photos of themselves in that manner using my cameras. 🙄🤷🏼‍♂️

This morning, I stepped outside and tried it myself for the first time (with an old Mamiya twin lens reflex), and made photos of our flowering tree and a pair of tulips in our garden. My students would be proud… I think…

Here were my 2 attempts:

[click each image to enlarge]

See my students doing this in our classroom in my last post.

Playing with Medium Format

I brought in a couple of medium format cameras to my Photo II / Advanced Photography class last month: a few twin lens reflex cameras along with my Mamiya RB 67.

After class, a few students stuck around to check them out in more detail. And they started taking "cutesy" Instagram-worthy pics with their phones looking down onto the ground glass. Here's a pic of the student on the left posing with a camera while the student in the middle makes a photo of her on the ground glass of another camera:

Click image to enlarge.

Oh, and note my drawing on the board of an unrolled roll of medium format film, showing the paper backing. I destroyed an old roll of expired film during class to show them how it works, but I had that drawing up on the board before class to discuss it before we got real "hands on."

Student Juried Exhibition at Concordia Gallery

I posted last month about my Photo II / Advanced Photo students printing larger images for the upcoming student juried exhibition. The opening for that show was 2 weeks ago, and here are some photos of the exhibition:

[click each image to enlarge]

Some printmaking, collage, and photography work.


Design and photography work.






Design and clay work on those pedestals.




A panoramic image from the back corner of the gallery.

The majority of the photography work that got accepted into the exhibition were my current students! And I believe 100% of the rest of the photography work was from former students of mine! Congrats Concordia art students!

Again, see my previous post about making some larger prints for the exhibition last month.