Showing posts with label Rants. Show all posts
Showing posts with label Rants. Show all posts

Friday, October 10, 2008

Random New Developments

I’ve been BUSY. Here are some thing going on right now:

Yesterday, I just sent some work off to the Silver Eye Center For Photography in Pittsburgh, PA. I’m going to be featured in a 2-person show in their “New Works Gallery.” (I’ll also be featured on their online gallery too, and I’ll post that link when it’s up.) The show will be up from mid-October through mid-November. Here’s some matted work in my studio that I was getting ready to box up:



All of these prints are (about) 15” x 18”, and their matted size is 20” x 24”.

Today, I finally had some time to get caught up on some contact sheets. I had 3 “outings” to make photos in the past month, and I hadn’t had a chance to make contact sheets of any of those rolls. So I made 22 contact sheets at CVA this morning/afternoon:



I’ll scan some negs of some promising images shortly. Come on back for those.

Finally, WHAT’S GOING ON IN THE PHOTO WORLD IN THE TWIN CITIES?? This is what I'm talking about:

- In July, the Minnesota Center for Photography closed its doors for good. Our biggest and best “photo-only gallery” in the Cities is no more.

- About 2 months ago, ProColor stopped processing film. I can’t go visit Dan anymore! Procolor was my place!

- Digi-Graphics still processes film, but only 3 days a week!

- I swung into the National Camera in Roseville a few weeks ago, and I learned that they stopped processing film at that location. It would take 10 days to get my processed film back. Today, I stopped there for some 8x10 color paper for contact sheets, but they don’t carry color paper anymore. So I figured I’d get a few Kodak Pro-Packs (film), but THEY WERE OUT! Why bother being a “photo store” anymore?

Tuesday, September 25, 2007

Found In My Mailbox At CVA

I pulled this new catalog out of my faculty mailbox at the College of Visual Arts today:



Guess why I'm pissed.

"Art AND Photography!?!" Like it's 2 different genres! What is photography, then? Arts ugly little brother? Visual barf? These things drive me nuts...

Wednesday, August 22, 2007

Inspiration

(Note: This post appears on both of my blogs. For those of you reading from my Triathlon Blog, you need to know that I am a photographer and a college professor by day. For those of you reading from my Photo Blog, you need to know that I’m a triathlete, and that I’m training for an Ironman Triathlon in September [under 3 weeks - yikes!]. There are pieces of both artistic and physical ideas in here, and I thought it’d be best to have it on both blogs. The following are a few issues that have been floating around in my head for years.)

Chuck Close, the famous American painter, recently said the following during an interview with Charlie Rose: “Some people wait around to be inspired. The rest of us just get to work.”

What inspires people to lose weight? To start eating right? To share their vision through photography, painting, sculpture, etc.? To go back to school and continue their education? To run a marathon? To compete in a triathlon? Are they external forces? Or are they all internal influences?

Why is it that on my way to making photographs, I need to listen to certain music? What is it about Dave Alvin, Johnny Cash, and a few no-name folk bands that place me in the right mindset to make my photos? It’s music and photography: a purely audio medium and a purely visual medium (before you even bring it up, I know we could argue the truth of this statement all day). What happens in my head when I connect certain music with my photography? What causes this link to occur that makes me crave a certain kind of music before feeling ready to make photos?

The problem is not that I’m not making enough photographs, it’s that I’m not inspiring myself in the correct way that will make me WANT to make photographs.

Maybe inspiration comes from carrying an emotion, a feeling, a thought, or an idea in your subconscious and needing to expel it. It’s our way of dealing with being bombarded internally for too long. It could be that inspiration comes out of us as a way of dealing with some internal conflict, as a way of venting.

I watched a random video on a friend’s blog on July 17th of last year. I didn’t know what it was about. The only text that accompanied it was “Puts things right in perspective, no?” I didn’t know what to expect, and my curiosity got the best of me. So I clicked the play button. It turns out it was a 4 minute video about Team Hoyt, who are a father/son team who do Ironman Triathlons, marathons, and all other kinds of races and events - they have nearly completed 1000 races together. The son had complications during his birth, and was without oxygen for quite some time. Because of this, he can’t walk or talk. For the Ironman Triathlons, the father pulls his son in a raft for the 2.4 mile swim, sets him on a seat at the front of his bike for the 112 mile bike, and pushes him in a wheelchair for the 26 mile run. They do all of this to try to integrate the physically challenged into everyday life by making people more aware of the issues that the disabled face everyday. It moved me to tears the first time (quite a ways past tears, actually). I watched that video 5 times in the first few days after discovering it. It was inspiring all times except for the third time. The first, second, fourth, and fifth times, I cried my eyes out. I’m talking about bawling. Salty rivers running down my check. Puddles-on-the-floor weeping. Those times it really moved me. But why not the third time? What made that time different for me? Now, I’m not saying that crying equals inspiration, but it has moved me many times. Was I so moved because the first time I watched it I had just completed my first official Olympic Distance Triathlon 2 days before? That was probably part of it. Definitely part of it.

That video not only inspired me to want to compete in an Ironman Triathlon, but it also inspired me to be a better person. It made me want to get off the couch, turn off “Big Brother 8,” and go make some photos. Or go update my resume. Or go out for a long bike ride. Or take a French cooking class. That video stirred me on almost all levels.

In case you’re curious, here’s the video (the original has been removed, but this one is quite similar). If this doesn’t do something to you, you must be dead:

Here’s a big issue inside my head right now: Does one need to be open for inspiration in order for it to strike? Do we sometimes live our lives closed to possible inspiration without being aware of it?

- - - - - - - - - - - - - - - - - - - - -

I wish I could remember the exact moments: the moment that I knew I wanted to go to school for photography; the moment that I knew I wanted to marry Sarah; the moment that I knew I wanted to go back to school to get my Masters in photography; the moment that I made the crazy decision to sign up for Ironman WI. I wish I could remember what was going through my mind. I wish I could go back and feel the state of my body and soul when I had those revelations. Maybe that would give some insight into this little rant. The problem is, these thoughts and inspirations don’t hit me like a bolt of lightning. They slowly sneak up on me, hanging around until the time is right, much like a 45-year-old internet predator on MySpace. Inspiration doesn’t strike me instantly like a ton of bricks. Something may inspire me, and that seems to set off a chain reaction that may last a few days or a few months. After that, the inspiration has sunk in, and voilĂ , I have been inspired. I suppose you could say the manner in which I become inspired is a little uninspiring. Great...another hurdle...

When I see an exhibition of great photographs, I’m inspired to go out and make photos. But each time, I’m inspired to go make photos close to the same style of the photos that have just inspired me. After seeing the Diane Arbus show at the Walker, I wanted to go make photos of "freaks" and transvestites. While viewing an installation at the International Center of Photography in New York, I wanted to be a mixed media artist. While cheering on Sarah at all of her marathons, I’ve been inspired to train for a marathon (although I haven’t). Watching Sarah and all of her new blog friends compete in Ironman WI last year absolutely moved me to want to train for Ironman WI 2007. It always seems to go hand in hand: I see it, I’m inspired by it, and I want to do it myself. Is this a normal form of inspiration, simply wanting to copy something else? Is inspiration in league with imitation? Is there really that much difference between the two?

So why is it the Team Hoyt video inspires me on many levels? That video has (obviously) helped inspire me to train for my first IM triathlon (I’ve turned to this video a few times in the past months when I’ve wanted to quit training). But it’s more than that to me because of the father/son bond that is in the forefront of their story as well. And that idea that they are doing something for "the greater good" and not just for themselves. They inspire me on many levels because they are touching me on many levels.

I’m not trying to write a ground-breaking essay on this subject, and I would question anyone who has claimed to. These are just a few of my thoughts (many of them cheesy or corny), and I hope you’ll add your views. Do you have any insight? Thanks.

Monday, January 22, 2007

Teaching: The Great Equalizer

Last week, CVA held a faculty / staff mixer at the Town and Country Club along the Mississippi (oooohh...ritzy!). It was typical: there was the faculty member who couldn’t stay awake during the presentation, the staffer who maybe had a bit too much to drink, and the flirtatious couple who is married (but to other people who weren’t there).

OK, so maybe just one of those 3 are true.

Earlier that day, I was able to meet the new folks teaching in the Photo Department. CVA now has a GREAT mix of people teaching photo classes. William Clark and Terry Gydesen are co-teaching a “professional practices” style class. Students will get great instruction from someone in the fashion / studio photography life, and from some doing street / documentary photography. Also Melody Gilbert, who has produced some VERY interesting documentary films, is teaching a digital video class.

I was sitting across the table from some GREAT artists, but 2 of them had NEVER taught before, and it had been 4 years since the other had taught. They were asking me for advice; I was preparing materials to send to them; we discussed student issues that were bound to come up.

We were equals. It was amazing.

Here’s to a great Spring Semester.

Thursday, January 11, 2007

What NOT to Wear

(To coincide with Mr. Blackwell’s list that has just come out for 2006)

I was beginning to feel a lot of self-pity because of the lack of new work I’ve created over the past few months. When I heard about a “Sportsmen’s Show” coming to the area, I thought I’d go check it out.

I had forgotten one of my cardinal rules to making photographs: “Always dress in the manner of those to be photographed.”

I stood out like a bloody, swollen, sore thumb. This was a Sportsmen’s Show. Sportsmen. Think olive drab. Carhartt beige. Camo jackets with matching pants, gloves, hat, and boots.

That was not me today.

I was wearing a striped lime green polo shirt, which was bad for 2 reasons: 1, I stood out too much; and 2, it’s not nearly my favorite shirt in the closet, so I wasn’t 100% comfortable in it.

I spent half the day there, but only used my camera once. It wasn’t a great day. I talked to a lot of people, but I forgot that I am not able to work as slowly as I was during my residency. Oops. Too many new friends, not enough work to show for it.

That makes 2 lessons learned today: wear the right clothes, and get out the damn camera.


This is all I’ve got.
Too cutesy, I know.

Thursday, December 28, 2006

Divine Intervention??

This morning, I posted how I was questioning the way I divide my time - wondering if I was spending too much time teaching and too little time making photos. Well, on my way home from a spinning class (yes, I’ve been known to go to spinning classes now and then) I caught the tail end of a story on Minnesota Public Radio about National Geographic photographer Jim Brandenburg. I don’t really care for his work, but I always like to hear from photographers regarding their opinions on the current state of photography as well as their random photographic stories. Even though I’m not a fan, I think we have a lot in common: we both photograph Minnesota (albeit much differently), we both could be more articulate about our work.... well, maybe that’s all.

Anyway, fate stepped in after I had been listening for just a few minutes. Jim was talking about the changing scene of working as a photographer for National Geographic (a very different world from the one that I work in, but there were still connections). I listened to what he said while parked outside my house, and then ran inside to write it down immediately:

“Just take pictures for fun, folks. Don’t try to make a living at it. Trust me. Trust me.”

Now I’m not saying that I’m throwing in the towel. I’m not done making photos. I’m still going to play this balancing act of teaching and shooting. I’m just as confused as I was a week ago. But the interview and the words that were spoken felt timed too perfectly, as if someone wanted me to hear them. Interesting...

Random Thoughts of Late December

If you haven’t noticed, I haven’t been making much work lately. Well.... I haven’t been making any work lately. I’ve been sending work out, applying to contests, etc, but I haven’t picked up a camera in a serious manner since my residency in Red Wing.

And it’s going to get worse before it gets better.

Spring semester I’m signed up to teach 5 DIFFERENT classes. It will help with the hope of a new home for Sarah and I in the next few months, but it won’t help my photo life. Or my sanity.

Don’t get me wrong - I really like teaching. I initially went to graduate school with the intent of teaching afterward. But now I feel like I’m not doing my photography career justice. I feel like if I could devote more time to making and promoting photos, I could go somewhere with my work instead of using my work as a way to get teaching jobs. But spending much more time on my photo career could be a pretty big gamble, and for how open-minded I am, I’m still a realist. And the realistic part of me says “Don’t squander your time away making pretty pictures.” I don’t know.

Speaking of making lots of work, check out Alec Soth’s photo blog. And, go get his (fairly) new book, Niagara. His work is great, and he’s simply a superb fella.

Friday, December 01, 2006

How We Learn

We Learn...

• 10% of what we read
• 20% of what we hear
• 30% of what we see
• 50% of what we both hear and see
• 70% of what is discussed with each other
• 80% of what we experience personally
• 95% of what we TEACH to someone else

-William Glasser

Thursday, October 26, 2006

Cover Story for the Times: I've Been Bumped

It’s going to happen, just a little bit later. And it’s all because the war in Iraq...

This is how I feel about the war and the current presidential administration:


So full of rage

If you’ve been reading anything on my blog over the past 2 months, if you've talked to me in person in the past 2 months, or if you’ve stepped foot in CVA (my undergrad school) which has been over-hyping this for promotional purposes, you know that I’ve been doing some work for a cover story for The New York Times Magazine. It was supposed to be printed and on shelves this weekend, 3 days from now.

I just found out (literally minutes ago) that the Gay Fathering story that I made photos for is going to be postponed until December 3rd. The Times is doing something quick about the war in Iraq. Great...yet ANOTHER reason to be against the whole situation over there. So this means I have another 5 weeks to be nervous about how these photos will look (and if it will even run). Crap.

I know things like this can happen, and it's just the way it goes. I've told Sarah all along that I won't believe my photo is on the cover until I SEE my photo on the cover.

So I'll direct all my rage at Bush.

Directing rage....

...directing rage....

Done. Good.

p.s. I'm really not that angry of a guy. I'm pretty laid back and friendly. But please, someone, do something about that guy in the White House.

Tuesday, October 10, 2006

Who Says Training for Triathlons Take Away From My Photo Career?

Yesterday, I had no free time. I was running like a madman. I went straight from my first class, to West Photo, to ProColor, to MCAD so I could cut, sleeve, and print contact sheets, then to the U of M for class, and finally to Fed Ex so I could ship the contact sheets to NY. Between each stop, I was literally running from location to location. I had heavy items in tow (laptop, neg boxes, Chipotle burritos), but I could easily sprint to and from all of my stops without breaking into a heavy sweat.

Hooray triathlons - making me a better photographer!

Wednesday, June 21, 2006

Contact Sheets Suck the Life Out of Me

Thanks mildly in part to the harassment of 2 friends, I finally had some film processed yesterday. I biked to ProColor and met an interesting person on the way back. Now I’m sitting at MCAD printing contact sheets - always the most pointless and tedious step for me. Don’t get me wrong, I see the point in making contact sheets, I simply hate making them. Stupid color processor, wasting my life 4 minutes at a time.

Also, I think I need to have a point to each trip that I go on to make photos. Sometimes, when I have a free day to make photos, I just pick up and drive to some town and see what there is to photograph. I don’t think that’s a good strategy. In fact, as I write it, I feel like it’s making me dumber.

Of course I need to have a point; I can’t just randomly drive up to a random town and make random photos. Or can I?... It HAS worked in the past. I don't know anymore.

Contact sheet favorites coming soon.

Monday, June 12, 2006

Photo Slump

Autumn 2004 - about 1 and a half years ago. That was the last time that I was satisfied with the amount and quality of photographs that I was making. I’ve been teaching since about then. I love teaching, but it’s keeping me from my work more than I would like. My mind is set more on my next class and less on my own work.

I’m starting this blog because I’m becoming a little too overwhelmed with all of the teaching at all of the different schools - last fall I had 5 classes at 3 schools, this past spring I had 4 classes at 4 schools, and currently for “summer break” I have 3 classes at 3 schools. I want,... no,...I NEED to be creating more of my own work. I feel like I’ve been slacking off, and I’ve simply been uninspired in the last year or so. So I’m hoping this blog will help get my butt in gear.

PLEASE e-mail me;
HARASS me to create work;
FORCE me to show you new work;
QUESTION what I do;
ASK me the tough questions.

That’s why I’m here.

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