Eve Arnold on Cameras

It is the photographer, not the camera, that is the instrument.

- Eve Arnold

Another Appearance on "Things Organized Neatly"

Two days ago, I posted 2 "cute" photos of fall colors. I submitted those photos to the popular tumblr site called Things Organized Neatly, and 1 was almost instantly published.

Here's how it looked on their site, along with all the likes, comments, and reblogs over the first 16 hours or so:

Thanks Things Organized Neatly!! Always fun to see my work up on your site!

CLICK HERE to see my submission on Things Organized Neatly. (And click here to see my first photo on Things Organized Neatly from last October.)

Fall Colors

My 16-month-old son and I were out playing in the yard this past weekend as it was misting. We had some fun with leaves while we were out there:

Serviceberry Leaves (click image to enlarge)


Japanese Barberry Leaves on Grandma Monica's Pumpkin (click image to enlarge)

If you like these, make sure to check out 2 posts from 2 years ago (HERE and HERE) where I had similar fun with Privet Leaves and Crab Apple Cherries.

The Girl With the Photoshop Tattoo

Have you seen this? Here's what designer Megan Orsi has to say about her tattoo:

When I was in high school, I spent every waking moment in Photoshop creating websites and collages for my favorite show, The X-Files (don’t laugh!). Thankfully, all of the time I spent paid off and now I’m able to use my Photoshop skills on a daily basis doing a job I love. Photoshop’s been a big part of my past, and now, it will always be a part of my future. Thanks, Adobe ;-)

Hope everyone enjoys the Photoshop Toolbar Tattoo =D

Here's the tattoo:

Color me jealous.

"Everything The Light Touches..."

I found this recently on the revolving door at the CVA Photo Lab:

Restoration of the First Color Film

The first moving picture captured in color 110 years ago has just been scanned and restored. It's an interesting process the photographer went through to create "color" images.

http://youtu.be/XekGVQM33ao

A bit about the video and the original process:

Lee and Turner's invention has always been regarded by film historians as a practical failure but it has now been 'unlocked' through digital technology, revealing the images produced by the process for the first time in over a hundred years.

Turner developed his complex three-colour process with support, first from Lee and then from the American film entrepreneur, Charles Urban. Using a camera and projector made by Brighton-based engineer Alfred Darling, Turner developed the process sufficiently to take various test films of colourful subjects such as a macaw, a goldfish in a bowl against a brightly striped background and his children playing with sunflowers, before his death in 1903 aged just 29. Urban went on to develop the process further with the pioneer film-maker George Albert Smith which resulted in the commercially successful Kinemacolor system, patented in 1906 and first exhibited to the public in 1909. Sadly, Turner's widow never received a penny from her husband's invention.

On discovering the film, Michael Harvey, Curator of Cinematography at the National Media Museum, worked with film archive experts Brian Pritchard and David Cleveland to reconstruct the moving footage in colour following the precise method laid out in Lee and Turner's 1899 patent. They turned to experts at the BFI National Archive who were able to undertake the delicate work of transforming the film material into digital files, and so the team were able to watch these vivid colour moving pictures for the first time, over one hundred years since they had been made.

JPG Humor

Faking It: Manipulated Photography Before Photoshop

The idea of "photographic truth" has always interested me. I wrote my MFA Thesis (entitled "What's So Documentary About Photography?") on photographers from the 1900s through the 1940s working under the guise of making "truthful documentary images," even though they were able to create images that fit their needs perfectly - whether "truthful" or not. I was wanting to show that photographic images considered to be "truth" need to be questioned... even before Photoshop.

The MET has a new show that is along these lines. It's not exactly what I was writing about, but it deals with old faked imagery:

In the first major exhibition of its kind, New York's Metropolitan Museum of Art has collected some 200 visually captivating photographs taken between the 1840s and 1990s - all of which have been manipulated.

'Faking It: Manipulated Photography Before Photoshop' is devoted to the history of manipulated photography before the digital age and traces the medium’s complex and changing relationship to visual truth.

Here are a few images from the exhibition:

Dream No. 1: 'Electrical Appliances for the Home' by Grete Stern ca. 1950 Gelatin silver print


Man Juggling His Own Head: De Torbéchet, Allain & C. ca. 1880 by Saint Thomas D'Aquin Albumen silver print


Lenin and Stalin: Unknown Artist, Russian 1949 Gelatin silver print with applied media


A Powerful Collision: Unknown Artist, German School 1910s Gelatin silver print


Hearst Over The People: 1939 by Barbara Morgan


Room with Eye: 1930 by Maurice Tabard and Roger Parry Gelatin silver print


Henri de Toulouse-Lautrec as Artist and Model: 1892 by Maurice Guibert Gelatin silver print


Fading Away: Henry Peach Robinson 1858 Albumen silver print from glass negatives


Dirigible Docked on Empire State Building: Unknown Artist, American 1930 Gelatin silver print