Dumb Client Requests
The people at Sharp Suits designed posters with some of the dumbest feedback their clients have given them over the years. These are fantastic.
Random photo-related musings along with my joys and woes as a photographer trying to manage teaching, making photos, family, and life.
The people at Sharp Suits designed posters with some of the dumbest feedback their clients have given them over the years. These are fantastic.
Posted by Steve Stenzel at 1:10 PM 1 comments
It is the photographer, not the camera, that is the instrument.- Eve Arnold
Posted by Steve Stenzel at 11:32 AM 0 comments
Labels: Quote
Two days ago, I posted 2 "cute" photos of fall colors. I submitted those photos to the popular tumblr site called Things Organized Neatly, and 1 was almost instantly published.
Here's how it looked on their site, along with all the likes, comments, and reblogs over the first 16 hours or so:
Posted by Steve Stenzel at 8:47 PM 0 comments
Labels: Prettiness, Publicity, Things Organized Neatly
My 16-month-old son and I were out playing in the yard this past weekend as it was misting. We had some fun with leaves while we were out there:
Posted by Steve Stenzel at 6:47 AM 0 comments
Labels: Prettiness
Have you seen this? Here's what designer Megan Orsi has to say about her tattoo:
When I was in high school, I spent every waking moment in Photoshop creating websites and collages for my favorite show, The X-Files (don’t laugh!). Thankfully, all of the time I spent paid off and now I’m able to use my Photoshop skills on a daily basis doing a job I love. Photoshop’s been a big part of my past, and now, it will always be a part of my future. Thanks, Adobe ;-)
Hope everyone enjoys the Photoshop Toolbar Tattoo =D
Posted by Steve Stenzel at 3:33 PM 0 comments
Labels: Funny, Inspiration, Photoshop, Tattoo
I found this recently on the revolving door at the CVA Photo Lab:
Posted by Steve Stenzel at 4:07 PM 0 comments
The first moving picture captured in color 110 years ago has just been scanned and restored. It's an interesting process the photographer went through to create "color" images.
Lee and Turner's invention has always been regarded by film historians as a practical failure but it has now been 'unlocked' through digital technology, revealing the images produced by the process for the first time in over a hundred years.
Turner developed his complex three-colour process with support, first from Lee and then from the American film entrepreneur, Charles Urban. Using a camera and projector made by Brighton-based engineer Alfred Darling, Turner developed the process sufficiently to take various test films of colourful subjects such as a macaw, a goldfish in a bowl against a brightly striped background and his children playing with sunflowers, before his death in 1903 aged just 29. Urban went on to develop the process further with the pioneer film-maker George Albert Smith which resulted in the commercially successful Kinemacolor system, patented in 1906 and first exhibited to the public in 1909. Sadly, Turner's widow never received a penny from her husband's invention.
On discovering the film, Michael Harvey, Curator of Cinematography at the National Media Museum, worked with film archive experts Brian Pritchard and David Cleveland to reconstruct the moving footage in colour following the precise method laid out in Lee and Turner's 1899 patent. They turned to experts at the BFI National Archive who were able to undertake the delicate work of transforming the film material into digital files, and so the team were able to watch these vivid colour moving pictures for the first time, over one hundred years since they had been made.
Posted by Steve Stenzel at 12:13 PM 0 comments
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